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BLACK FRIDAY PIANO SALE

Black Friday Piano Sale

All Black Pianos Significantly Reduced for one week only:

New Grand Pianos Starting at $14,995 This week Only $9,899 New Upright Pianos Starting at $7,995 This week Only $3,995 New Digital Pianos Starting at $1199 This week Only $999

Roland F140r $1399

Contact us today!

Piano Centre 10460 170 street www.pianocentre.ca 780-484-3170

Contact the Piano Centre

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Black Friday Piano Sale

Starts Today!

Black Friday Piano Sale

All Black Pianos Significantly Reduced for one week only:

New Grand Pianos Starting at $14,995 This week Only $9,899
New Upright Pianos Starting at $7,995 This week Only $3,995
New Digital Pianos Starting at $1199 This week Only $999

Roland F140r Piano $1399

Contact us today!

Piano Centre 10460 170 street www.pianocentre.ca 780-484-3170

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Steinway Spirio November Update

Spirio Spotlight

NOVEMBER HIGHLIGHTS FROM THE SPIRIO CATALOG

Steinway & Sons Spirio, the world’s finest high resolution player piano, presents jazz headliner Aaron Diehl in a tour-de-force set of short works by Dick Hyman that encompass the heritage of jazz. In just 20 minutes, Diehl (and Hyman) take us from Scott Joplin to Earl Hines, from Fats Waller to Dave Brubeck. Aaron is also featured in two SpirioSync videos:  tributes to George Shearing, and our featured Steinway Immortal, the remarkable Art Tatum.

Tatum’s heavy influence on jazz is well known. Spirio listeners have the privilege of experiencing the man himself through our re-created performances. Indeed, Tatum’s influence is not bounded by jazz — most pianists, irrespective of genre, marvel at his astonishing technique and musicianship.

New & Notable

If you have enjoyed listening to our September featured artist from, Ludovico Einaudi, you’ll want to hear our favorite Belgian pianist Jean-François Maljean, who returns this month with a new set of music that features his engaging blend of jazz and New Age improvisation.

The trailblazing pianist and composer Vijay Iyer takes us to another area of jazz that highlights his diverse creativity that is so admired.

And if you liked Piotr Anderszewski’s taste of Janáček’s On the overgrown path released in September, you will want to hear Czech pianist Ivo Kahánek, who presents the complete First Book of that seminal work.

Japanese pianist Yoko Kikuchi debuts on Spirio with some short works including Mozart’s Kleine Gigue; Jenny Lin plays Sibelius and Philip Glass; and Sunny Choi plays Taylor Swift and Lady Gaga.

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The Steinway Touch

THE DEVELOPMENT OF ACTION MECHANISMS

One day in 1932, Josef Hofmann, the American pianist, composer, and inventor who had already spoken of the STEINWAY’s “extraordinary perfection of action,” came to STEINWAY HALL and said, “It isn’t quick enough. Can’t you make it still more sensitive, still more responsive?”

Hofmann’s challenge was the impetus for STEINWAY to become the most responsive and sensitive of any piano made. Frederick Vietor, grandnephew to C. F. Theodore Steinway, fulfilled Hofmann’s request by creating the STEINWAY ACCELERATED ACTION, enhancing the STEINWAY action to respond to the touch instead of being forced into action. Today, the ACCELERATED ACTION is found on all American-made STEINWAYS.

Laboratory tests have proven that the keys on a STEINWAY can repeat 13% more quickly than any other piano. The same features that allow for this faster repeat also provide a much more sensitive, responsive keyboard, an aspect that can be appreciated even by beginning pianists.

The keys of a STEINWAY are constructed of Bavarian spruce. The quarter-sawn maple action parts are mounted on a STEINWAY METALLIC ACTION FRAME, which consists of seamless brass tubes with rosette-shaped contours, force fitted with maple dowels and brass hangers to assure the stability of the regulation.

RECENT IMPORVEMENTS:

1983 / “Permafree-II” action centres (Emralon-impregnated centre-pin bushings) are introduced. Emralon, the liquid version of teflon, reduces wear and eliminates friction.

1992 / “New York Improved” action geometry (imporved leverage as well as improved manufacturing precision)

2006 / Escaine is introduced on backchecks, knuckles and balanciers for quieter operation of action parts.

2008 / Climate control and daily computer measurement of tolerances are introduced in the action department for making the world’s finest piano action parts.

DOWNLOAD THE FLYER

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University of Alberta Piano Masterclass

Piano Masterclass – Janet Scott Hoyt

October 11, 2018 5:00 PM – 7:00 PM Convocation Hall, University of Alberta

Join us for a piano master class with former Music Department pianist and renowned piano pedagogue, Professor Emerita Janet Scott Hoyt.


About Janet:

Alberta-born pianist Janet Scott Hoyt is a performer and pedagogue with a wealth of experience on the concert stage and in the teaching studio. She studied at the University of Alberta with Robert Stangeland and completed her postgraduate studies there, supported by numerous scholarships and awards. Further studies were done in Europe with Cecile Genhart and at the Banff Centre with Gyorgy Sebok and Menahem Pressler.

A highly sought-after collaborative pianist, she has had a long association with the Banff Centre for the Arts. In 1995 she was nominated to lead the Collaborative Pianists Faculty there. During the course of her career, she has performed with many internationally renowned artists, including violinists Sydney Harth, Oskar Shumsky, flautists Robert Aiken and Jeanne Baxtresser, horn players Barry Tuckwell and David Hoyt, cellists Shauna Rolston, Tanya Prochazka and Tsuyoshi Tsutsumi. Among her many performances are premieres of works by composers such as Violet Archer, Srul Irving Glick, Malcolm Forsyth, and Oskar Morawetz.

Janet Scott Hoyt was named to the piano faculty of the Department of Music at the University of Alberta in 1998 where she now supervises a graduate program in piano pedagogy. She has also served as a faculty member for Augustana University College and the L.I.S. Summer School at the Hochschule Fur Musik in Detmold, Germany. She is in great demand as adjudicator, coach and workshop clinician.

 

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Check out our iPad automated Pearl River grand piano!

Check out this YouTube video of our Pearl River baby grand piano with a fully automated player system all controlled by iPad! Equipped with a speaker system, control volumes of the audio and piano performance – all at the touch of the ease-of-use QRS app!

 

Player Piano Systems are designed to complement the life of your piano. Since you will more than likely own the piano for a long time or want to sell it at a reasonable value you’ll want to know that the player inside compliments its life. There are three things to look at in that respect – the components – are they built to tolerances and with materials that can handle the various climates and conditions while being played over a long period of time, the manufacturers history of offering an upgrade path to the latest technology without an expensive replacement, the manufactures history in the business and the music library.

 

QRS’s PNOmation is the only system that since its introduction has been offering a migration path to the latest technology. Its use of the finest components allow the customer the confidence to move forward with an upgrade with knowledge that the rest of the system remains solid. QRS’s use of longer fully encased solenoids with Teflon impregnated solenoid plungers delivers much more accurate control over the range of motion. They also resist corrosion and are self-lubricating. A lost motion cap on the bottom insures proper throw, that without can never guarantee you are delivering the dynamic called for. Next is dynamics – a longer plunger and solenoid delivers more accurately the dynamic called out for in the music. This dynamic can be of the new standard HD MIDI or the old MIDI. QRS supports both.

 

Contact the Piano Centre

 

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New Steinway piano holds keys to UofA student success

 

Master pianist and U of A music professor Jacques Després knows playing on a great piano is key to his talented students giving their best performances. U of A music students have access to renowned instructors and many opportunities to perform, but the concert pianos have aged.

Wear and tear on older pianos changes how they feel and sound, preventing students from playing to their potential. “It’s like listening to music on earbuds with a laptop,” Després says. “The music is there but not at the best possible quality.”

150: Concerts, recitals and master classes presented by the U of A music department this year

311: Students enrolled in music programs at the U of A. Many go on to perform nationally and internationally.

97%: Portion of concert pianists who choose to perform on Steinways

20,000+: Arts lovers who took in U of A music, theatre and design shows in 2017-18, illustrating the university’s impact on the arts community

 

Thanks to a dedicated group of donors, a Steinway Model D concert grand piano made its debut at Convocation Hall this spring. It will be an invaluable learning tool for students.

A Steinway takes more than a year to build and is made almost entirely by hand. “When you play on a piano of this quality, you realize things about the music you would not realize on another piano,” Després says. “You’re not held back by the instrument.”

The new Steinway will enrich Edmonton’s vibrant arts community by attracting more visiting musicians, whose master classes and performances will benefit students and music lovers alike. “It is truly a special instrument,” says Després.

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Steinway’s Accelerated Action™

Did you know? Laboratory tests have proven that the keys on a STEINWAY piano can repeat 13% more quickly than any other piano. The same features that allow for this faster repeat also provide a much more sensitive, responsive keyboard, an aspect that can be appreciated even by beginning pianists.

1) Balanced Rail Bearing

The balance rail bearing, as you can see in the illustration taken from the 1931 patent, is a rounded felt-covered piece of maple, which serves as the fulcrum on which the key pivots. Only STEINWAY incorporates a rounded surface; other brands have flat rail bearings.

Why is a Rounded Surface Important?
Scenario 1: Imagine a long plank balanced on a flat piano bench. It’s easy to place the plank so that it balances. The plank can be moved slightly one way or the other without either end touching the ground.

If you place your hand on one end and press very lightly, the plank might bend a little but the other end will not move. As you gradually press harder, the other end of the plank will eventually move, but only after you have applied considerable pressure.

Scenario 2: Now imagine the same situation but with a round surface on top of the flat bench. In this case the plank moves easily (friction free), and it is somewhat difficult to balance; once balanced, pressure on either end will cause the opposite end to move.

This principle underlies every STEINWAY action. The benefit is that the STEINWAY keys move friction free on the rounded balance rails making for the most responsive action possible.

 2) Weighted Keys

The second distinguishing factor in the touch is the weighting of the keys: Larger weights are placed closer to the balance rail bearing, causing the keys to return faster.

So why doesn’t every piano manufacturer incorporate these features? In one word: Time. Every key found on STEINWAY pianos is individually weighed off — a remarkably time consuming process.

Because the STEINWAY action has a much more sensitive fulcrum than actions of other pianos, all other action-related regulation is also more sensitive. The sensitive fulcrum of a STEINWAYaction increases the complexity of all parts of the action.

STEINWAY, of course, is happy to put in the extra work, especially when the result is the most responsive piano action in the world. As the founding credo states “Build the best piano possible.”

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Simply a better piano.

When Henry E. Steinway and his sons founded what would become the world’s most famous piano company in 1853, they promised to passionately execute Henry’s ambitious vision: ‘To build the best piano possible.’ This 165-year-old mission statement is today imbued in every element of the Steinway brand, including the Steinway–designed Boston piano.

The Boston, born in 1992, is the culmination of Steinway & Sons’ decision to develop a new line of instruments to meet the needs of piano connoisseurs not yet ready for a Steinway. Designed by Steinway the Boston is manufactured using a recipe developed from Steinway’s more than sixteen decades of premier piano-building and commitment to continued improvement.

Through its adherence to Steinway design principles, the Boston maintains its position as the best piano available in the popularly-priced market, bar none. Thanks to its Steinway pedigree, the Boston sounds better, plays better, and lasts longer than any other piano in its price range.

SOUNDS BETTER.

There are distinct design differences between the Boston and any other piano in its market, and these design distinctions are born of the Steinway recipe. Just as the Steinway is known for its unmistakable “Steinway Sound,” so, too, has the Boston developed a reputation for a distinctly pure, rich sound that simply can’t be reproduced by other pianos.

The Boston owes its superior sound to Steinway–designed advancements:    

  • Steinway & Sons Engineers Susan Kenagy and John Patton designed the Boston from the ground up at Steinway & Sons’ New York factory, calling upon 165 years of pioneering piano manufacturing.
  • Steinway–designed low-tension scaling results in a longer sustaining tone and longer  life of the whole piano. A low-tension string scale design gives a fuller tone by allowing more of the lower partials to sing. It also has more sustain, is more powerful, has more dynamic range, and provides warmer and mellower tones.
  • The linearly tapered solid Sitka–spruce soundboard, designed for optimal vibrational response, which provides a bigger, richer, fuller tone and increased sustain.
  • The hard rock maple inner rim, which — by virtue of its superior qualities—produces less vibration and less absorption of sound to generate a better, fuller sound from the soundboard.
  • The “wide-tail” design, which offers substantially more surface area on the soundboard to create a richer sound and the impression of playing on a larger instrument. Additionally, the wide-tail design permits longer bass strings, as they can be placed closer to the center of the soundboard, providing a much richer, deeper and colorful bass.
  • Pear-shaped hammers manufactured on a Steinway-owned hammer press. Striking the strings at exactly the right spot, these hammers are designed to produce the best tonal result.
  • Solid copper-wound bass strings — made by Mapes Piano String Company in Tennessee, USA — will last longer than copper-plated on steel. It also ensures pure tone for the life of the instrument. Steinway–patented overstringing permits maximum speaking length of bass strings and a smoother transition from bass to tenor.
  • The Steinway-patented, vertically-laminated maple bridge with solid maple cap, which provides the best transfer of energy from bridge to soundboard. The patented bridge is also placed closer to the center of the soundboard in Boston grands, thus allowing for a more even disbursement of energy and resulting in a richer, fuller tone.

PLAYS BETTER.

From students to teachers to performing artists, pianists who play Boston know the benefits of the Boston “feel” and are passionate about its superiority to the touch of other pianos in its price range. The trademark responsive action of the Boston is owed to its Steinway pedigree, which emphasizes sophisticated geometry and the highest-quality construction materials.

Like Steinway, Boston uses all-wood action parts — never plastic like many competitors. Wood helps to determine the Boston’s characteristic feel and allows the player to experience the “feedback” from the keyboard that is found only in performance-level instruments. In addition, Boston pianos feature Steinway–patented (and famous) rosette-shaped flanges, which mate positively with the action rail, lock into place, and prevent any twisting or shifting of the action parts. This means that despite humidity, temperature changes, or heavy use, the Boston’s action is forever tight, sharp, and responsive.

The rosette shape on Boston’s action rail was originally patented by Steinway in 1868: it’s a time-tested hero when it comes to piano “feel” and stability, and no other similarly-priced piano offers it. In addition, the design of the Boston action requires less energy to start the hammer moving, permitting pristinge repetition, an extremely responsive action, and greater control over a tremendous dynamic range.

LASTS LONGER.

Like the Steinway from whence it came, the Boston piano is designed for legacy and longevity. With its unique, proprietary design, Boston has emerged since 1992 as an affordable workhorse with an elegant pedigree and long-lasting heirloom potential. While the overwhelming foundation of the Boston’s durability stems from its adherence to Steinway design and Steinway–sanctioned manufacturing and materials, there are specific points that offer it a long-lasting playing life:

  • Radial bracing (on Boston grands) ties the framework of the instrument together and supports the rim; and staggered backposts (on Boston uprights) address tension where it is greatest and ensure stable tunings and an overall longer life.
  • The low-tension string scale works seamlessly with these two unique Boston bracing systems. Physics guarantees that this design creates a piano with less stress that is better able to handle tension and prolonged use.
  • Inspired by the revered Steinway Hexagrip® pinblock, the Boston’s Steinway-patented Octagrip® pinblock is constructed from eleven layers of hard rock maple. These layers are glued in different grain angles to keep the tuning pins tight but allow for fluid motion. The result is improved tunings, greater tuning stability, and overall extended piano life.

The Steinway-designed benefits of Boston pianos are real. Boston is designed by the world’s most revered piano maker, utilizing expertise and technologies honed over more than 165 years. Built in manufacturing facilities with the ability to build exactly according to the Steinway design, the Boston is fashioned from a famously-exacting recipe for piano greatness — one which has found countless passionate devotees the world over. And based on the ever-increasing number of Boston pianos sold to music schools and institutions, where performance and longevity are paramount, it’s clear that the word is out on Boston.

If you would like a brochure of the Boston, please fill out the form below.

Contact the Piano Centre